Tag: grief

  • I’m a therapist: Why I Still Go to Therapy

    Personal Therapy for therapists. A man seated and composed , a double exposure with stormy seas.

    A personal account of what personal therapy makes possible in the consulting room

    Eight years ago, my daughter died by suicide. That fact sits in the room with me every time I work with a client. Most of my long-term clients know it. It’s not something I hide, and it’s not something I’ve resolved. It’s something I carry, and part of my job is to know, at any given moment, how I’m carrying it.

    This article is about one session where that carrying became difficult, what happened next, and why I believe the answer to the question β€œDo I really need personal therapy?” is, for most therapists, yes.

    Something in the room

    A client I have worked with for some time was talking about the circumstances around her partner’s suicide. She knows about my daughter. That’s part of how we work; I use disclosure as a relational tool, and she had found it useful to know that I had some personal proximity to the kind of loss she was carrying.

    As the session progressed, I became aware of growing anxiety in my body. Not thought-level anxiety, the kind you can reason with, but something lower and more physical. I realised she was building towards telling me the specific details of how her partner was found.

    I asked her to stop, just for a moment. I needed to regulate. I sat with what was happening in my nervous system, and then I was honest with her: I asked whether we could skirt around those particular details, at least for now. She understood immediately. She was not distressed by the request. Because we had a relational contract, because she knew something of my history, and because I had named what was happening rather than trying to manage it covertly, we could make a joint decision about how to proceed. That’s how I work.

    But the session left something unfinished in me.

    The next morning

    I had a fortnightly appointment with my personal therapist the following morning. I’ve been seeing her for five years. I didn’t know what I was going to bring; I rarely do. What was most alive when I woke was a dream.

    In the dream I was in a war zone. There was chaos around me. I was carrying a large assault rifle and being pursued. I took shelter in a cafe. A few minutes later one of my pursuers came in and sat down, ordered coffee, appeared to settle. I was standing in the corner, my rifle propped beside me, and I had to remain still and upright in order to keep it concealed.

    My therapist asked me how I had felt on waking from the dream. I told her: calm. Not relieved, not shaken, calm. In the dream I had known what I needed to do and I had been doing it. She asked whether there was any present-day connection. I went straight back to the session the day before.

    What the body was holding

    We began to look at my nervous system response in that session: the anxiety, the physical signal, the decision to stop. The obvious thread led to my daughter’s death. And as we followed it, I realised something I had not consciously registered before: I had never told anyone the specific details of how she was found. Not my own therapist, not my supervisor, not anyone.

    I’m not going to tell you those details here. But I want to tell you what happened when I told her.

    I asked my therapist if it was all right to go through it. She held the space. With a great deal of shaking and trembling, I told her everything. As the account came out of me, something began to shift in my body. By the time I had finished, it was as though something in my nervous system had dissolved, or at least loosened its grip. The weight of those specific images, held silently for eight years, had been witnessed.

    My supervisor cannot do that work with me. Supervision holds the work; it is where I bring clinical material, ethical questions, and relational dynamics I cannot see clearly. But when something is lodged not in my thinking but in my body, supervision is not the right container. My supervisor has said to me on more than one occasion: β€œYou should take that to personal therapy.” She is right to say it.

    What this makes possible

    After that session with my therapist, I knew what I wanted to do. I wanted to be able to offer my client the quality of listening I had withheld. Not because I had been wrong to stop, I had been right to stop, but because I now had more capacity than I had before. Something had been processed that had been blocking me. Next time we meet, I’ll share something of that process with her. We will decide together, as we always do, how to proceed.

    This is what personal therapy makes possible. Not the absence of response, therapists are human beings, and we respond, but the ability to stay present with what is difficult rather than being pulled under by it. The difference between a nervous system that can be with a client’s account and one that cannot is not intelligence or training. It is the degree to which our own unprocessed material has been worked with.

    If you’re carrying something and you haven’t given it a proper place to land, it will find one in the room. It will show up in what you cannot hear, what you deflect, what you subtly redirect. Your clients will feel it even when they cannot name it.

    A professional necessity, not a personal indulgence

    There are therapists who treat personal therapy as a requirement to be fulfilled during training and then quietly set aside. I understand the logic: time is limited, fees accumulate, and once you’re qualified the external pressure disappears. But the argument for continuing is not about compliance. It’s about what you’re actually offering in the room.

    I have been in practice for a number of years. I still carry material that surfaces unexpectedly. I still dream things that turn out to be directly connected to my clinical work. I still need a space where I’m the client and someone else is holding the frame. That’s not a sign of inadequacy; it’s a sign of ongoing engagement with the work.

    I don’t go to therapy purely for my own benefit. I go to be in a position to serve my clients better.

    If this article has brought up difficult feelings

    This article discusses suicide and suicide bereavement. If you’re struggling, please reach out.

    Samaritans

    Free, confidential support available 24 hours a day, 7 days a week.

    Call 116 123 · jo@samaritans.org


    SOBS — Survivors of Bereavement by Suicide

    Peer support from people who have been bereaved by suicide.

    Call 0300 111 5065 · Monday to Friday, 9am–9pm

    More crisis support resources on my Help and Support page →

  • The Art of Kintsugi: Healing Through Acceptance

    How the Japanese Practice of Golden Repair Guides Us Toward Wholeness and Transformation

    First Published on Medium 18/12/2024 John Walter πŸ“£Therapy and creativity

    A porcelain bust representing Kintsugi healing
    Image created by the author using Midjourney

    Kintsugi is an art form that celebrates breakage and repair as part of an object’s history rather than as something to disguise.

    As a therapist specializing in trauma, I often work with individuals who have reached a crisis point after trying to hide or suppress their traumatic experiences.

    Healing begins when we explore the emotions surrounding these events and understand that embracing our authentic selves involves acknowledging the learning and growth that come from processing these feelings.

    Like with Kintsugi, we acknowledge our history as an integral part of ourselves.

    I had the experience of losing my daughter to suicide six years ago. It catapulted me into almost constant therapy for recovery, but it also became a wake-up call and launched me into training as a counsellor. An act of extreme trauma also became a point of transformation in my personal journey.

    What is Kintsugi?

    screenshot from wikipedia re Kintsugi

    Behind Kintsugi is Wabi-sabi, a Japanese philosophy that finds beauty in imperfection, impermanence and authenticity. Kintsugi is the art of repairing broken pottery with a lacquer mixed with gold, silver, or platinum. Something broken becomes celebrated as an art form.

    We can learn to see our β€œcracks” and β€œscars” not as defects to be ashamed of or hidden but as unique parts of ourselves which have contributed to our growth.

    The process of healing ourselves can be compared to repairing broken pottery with precious metals. By celebrating the scars that come from healing trauma, we honour our history as an integral part of who we are. This perspective allows us to embrace our imperfections, recognize our resilience, and find beauty in our journey toward wholeness.

    Kintsugi healing in progresswith a porcelain bust
    Image by the author

    What are your broken pieces?

    Do you hide them away or accept them as part of your rich history? Have you a trauma, a loss or a significant life transition point that could do with being re-examined and polished up?

    There is a perceived stigma in society around imperfections and vulnerability. Social media promotes a particular idea of perfection, flawless appearances, unerring decisions and emotional invincibility. This becomes a pressure that leads us to hide parts of our true selves, fearing judgement and rejection.

    We use terms like β€œdark secrets” or β€œskeletons in the cupboard” to describe parts of ourselves that must be kept secret from others.

    Being abandoned

    My first wife left me in true abandonment style back in the 70s at the ripe old age of 24. No note, no attempt at contact, just an empty flat when I returned home one night and the bizarre experience of being contacted by a local solicitor a year later to sign divorce papers.

    My confidence was knocked for six. I had no idea anything was wrong. We ate food together, slept and had sex together. What was missing? Obviously, something was missing for my wife, but she chose to leave without explanation rather than articulate it.

    I quickly drowned my sorrows with excessive drinking and fairly wild sexual adventures. I was ashamed of not being what a husband should be, yet I had absolutely no idea of what that was. I tried to put a brave face on as if I was having the time of my life, but the truth was I was broken and struggling from day to day.

    Kintsugi healing of a porcelain bust in progress
    Images created by the author.

    Kintsugi and the therapeutic process

    Kintsugi:

    1. Find the broken pieces
    2. Prepare them for repair
    3. Apply the gold lacquer and glue them back in place
    4. Allow time for drying and setting
    5. Polish the finished article

    Therapy:

    1. Recognise the hidden and broken parts of ourselves
    2. Seek help through therapy, support groups or self-reflection
    3. Accepting our history, developing self-compassion, and choosing a new pathway.
    4. Allowing time and space for healing to take place
    5. Get used to living as your new authentic self

    The things to watch out for

    Unlike Kintsugi, the therapeutic process is not singularly linear. With a ceramic pot, you would gather everything together at the start and work through each stage with all the parts.

    In therapy, it is more likely to be a process where each broken part becomes visible and is processed individually to some degree. Spurred on by your success with one issue, you reach back, and another becomes visible.

    Is it ever complete?

    There is usually a constant supply of difficult circumstances in life. With each episode, we develop resilience and self-awareness. The more we work towards living authentically, the more we notice places where we unconsciously hold ourselves back.

    Looking at My School Days in a New Light

    One piece of my life that remained unexplored for many years was my journey through grammar school. Society viewed it as a failure, and so did I. Now, as I pick up those memories and polish them off, I see them quite differently, much like a Kintsugi repair that transforms brokenness into beauty.

    I entered Year 7 at age 11, was at the top of my class and was captain of the rugby team. However, I was also hyperactive and quite confrontational, always wanting explanations for everything. At the time, these behaviours were seen as symptoms of anxiety, and I was treated with strong sedatives that effectively switched my brain off. Even when the medication ended, I remained disengaged. It seemed that was what they wanted: a compliant student who didn’t question the system.

    I went through the motions, attending classes but not truly participating, and left school at 18 with a tattered collection of qualifications. For years, I saw this as a personal failure. But now, reexamining this β€œbroken” piece of my past, I realize that I inadvertently gave myself space to explore my interests and passions by not fully engaging with the socially prescribed education system.

    Those seven years, once viewed as a time of struggle and failure, were when I developed my artistic vision and sensibilities. My musical passions were forming, and I was reading widely β€” unfettered by the need to adhere to curriculum guidelines. While some school friends who were fully engaged with the system found themselves locked into debilitating career paths and yearning for retirement, I have happily bounced around in teaching, musical facilitation, and psychotherapy.

    Now, past retirement age, I ask myself why I would ever retire. I love my passions: work, music, and writing. Like a piece of pottery repaired with Kintsugi, the cracks and imperfections of my past have been filled with the gold of experience and self-discovery. Because of these so-called flaws, I have become more whole and authentic, and I will continue pursuing what I love for as long as I can.

    Using the lessons

    In the end, Kintsugi teaches us that our brokenness doesn’t diminish us, it defines us. Each crack is a testament to our struggles, how we have survived, the lessons we’ve learned, and the strength we’ve gained.

    These moments, though painful, give our lives depth and texture, just like the gold-filled veins in a repaired pot. Looking at my own life, I see that every failure, every loss, and every misstep has shaped me into who I am today.

    It’s not about erasing the past or pretending the cracks aren’t there; it’s about honouring them as part of our story. So, as we gather our broken pieces, let’s remember: the beauty isn’t in perfection but in the courage to keep piecing ourselves back together, over and over again.

    www.johnwaltercounsellor.com

    Get in touch if you want help piecing yourself back together.

    A full body repaired porcelain figure, Kintsugi healing complete
    Image created by the author

    An in-depth study of the connections in this article is found in Tomas Navaro’s Book (link below)

  • Embracing Light in the Shadow of Loss

    One father’s reflection on finding resilience, purpose, and connection after tragedy

    An abstract image of a blonde haired young woman staring into a black hole and the light surrounding it.
    Image created by the author

    Trigger warning β€” This article mentions suicide, although it focuses on my reaction and how my life has changed since the event.

    My daughter Holly took her own life six years ago. What felt like staring into or being consumed by a black hole has become quite different.

    A black hole is only known to exist because of the presence of light around it. Or, as NASA put it:

    A black hole is a place in space where gravity pulls so much that even light can not get out. The gravity is so strong because matter has been squeezed into a tiny space. This can happen when a star is dying. Because no light can get out, people can’t see black holes.

    The moment my wife put down the phone, and I heard the words Holly and suicide in the same sentence, I felt that pull of gravity sucking all the light out of my world. Six years after the event, I can still feel that pull of gravity towards dark despair, but I can take a step back and notice how the black hole allowed me to appreciate the light around me more than I ever have before.

    My Birthday Story

    It was a joyous day. We awoke in our campervan in South Cornwall in brilliant sunshine and below-zero temperatures. After a glorious walk along the coast, we settle into a pub next to a log fire. What was billed as the best Sunday lunch in Cornwall is just that. We review the details of previous birthday and anniversary meals as always.

    Top of the list is always the one Holly instigated at Ronnie Scotts on my 60th. We can now reminisce and think fondly of this and other events where Holly’s big personality features strongly. Arriving home midafternoon, my whole mood seems to change.

    I am cold and exhausted. I warm up in the shower and then crawl under the duvet with a hot water bottle. Experiencing the light for a few hours has drawn my attention to the black hole that is constantly there. No one else can see it, and I know by now that it will not consume me or suck all the light out of my world. I am keenly aware of the light because of the black hole. If the black hole were not there, I would not be aware of the glorious light surrounding it.

    Becoming self-aware became a necessity.

    I have been on a self-awareness journey for 40 years from when I first went into therapy as a requirement for my job. It is never complete. It has stalled and faltered but went into overdrive the moment Holly left us.

    Now, it seems like the only way I can hold myself together, and at the same time, it has become my passion and purpose. I was drowning in the strong currents of the ocean. Holly’s death has become the raft I cling to for riding the currents safely and steering my way into the future and the unknown.

    A bright colourful scene of someone trying to navigate in stormy seas
    Image created by the author

    On her birthday

    This is when we come together as an extended familyβ€”focused on a meal together, visiting the burial ground and standing high in the wind watching the river far below.

    Our two children grew up in a little extended family group with an auntie and two cousins living a few doors away. Some of my strongest memories are of all seven of us around a meal table. Whether it was Sunday Lunch or a celebration, it was a precious time for me.

    With children leaving home and leading their own lives, these gatherings became reduced to maybe once a year, with all seven of us plus occasional partners. In addition, we would occasionally get our two girls to join us for an anniversary or birthday.

    Holly was always a strong force in uniting us for a celebration, and she still is. She draws us in to celebrate her birthday, and I, for one, revel in this excuse for this celebration of her glorious life.

    Her death has not diminished my life

    I am grateful to Holly for coming into this world and spending 28 years with us. Her birth and her death were both traumatic but a necessary part of her existence.

    Illustration created by the author

    The wound is the place where light enters you β€” Rumi

    The first morning after she died, I felt the light entering but found it difficult to let it in. I stepped out of her flat into brilliant sunshine. I asked myself, β€œHow can I feel joy in the sunshine after what happened?”

    This was my first lesson in holding joy and sadness in the palm of one hand. Of course, the nature of her death will permanently devastate me. I will always have questions and doubts about my actions as a father. However, I cannot allow her leaving us to overshadow the amazing experience of living with her for 28 years.

    Holly’s memory remains a guiding beacon, like the flash from a lighthouse reflecting on the surface of the ocean, simultaneously guiding the way and warning of danger.

    When I sit with clients in my counselling room I can be a guide because I have experienced what it is like to crash upon the rocks or become overwhelmed by the waves. I have also experienced what it is like to take the helm of my craft and to purposefully and intentionally steer it into safer waters.

    I am filled with gratitude to Holly for sharing her brief life with us, to family and friends for their support in navigating the treacherous waters of grief and to everyone in the Counselling Community who has swum alongside me whispering or shouting encouragement.

    Also in the early years connecting up with groups such as The Compassionate Friends and Survivors Of Bereavement by Suicide was vital. I am also grateful to the charities Clarity and Cruse for giving me free or low cost counselling. (Links Below)

    Thanks for reading to the end. Do get in touch if you are affected in any way by my writing and artwork. The links below my website are organisations that helped me in the early stages of grief.

    johnwaltercounsellor.com

    The Compassionate Friends

    www.tcf.org.uk

    Home | Clarity Counselling Services

    www.claritynorthdevon.org.uk

    The Cruse site was down while I wrote this so I accessed it through Counselling Directory

    Cruse Bereavement Support

    www.counselling-directory.org.uk

    www.samaritans.org

    REHAB4Addiction

    If addiction is an issue for you after bereavement.

    https://www.rehab4addiction.co.uk,

    The SOBS UK site also appeared to be down.

    https://uksobs.org/about/who-we-are

  • You Don’t Know What Love Is

    Until you’ve learnt the meaning of the blues

    Love loss and grief, melancholic man leaning on piano
    Love, loss and grief. Photo by Anastasia Kolchina from Pexels

    Trigger Warning: this article contains a discussion of love, loss, grief and suicide that may not be suitable for all readers. AoE community, please read with care.

    My headline is the title of a song recorded by Chet Baker and Nina Simone. This is the story of how it became interwoven with my life.

    The first time I sang this song to an audience was in a small local pub the night before my youngest daughter Holly took her own life. It was also the first time I had been aware of tears rolling down my cheeks whilst performing.

    Step back a few hours, and I was on a park bench watching the tidal river ebb away in front of me. I was phoning my daughter. I wonder if I was aware of her life ebbing away like the river. She didn’t pick up. I didn’t expect her to, and it’s difficult to admit there was some relief. I don’t know what I would have said.

    Her mother was speaking to her every day. This routine began two weeks earlier when Holly was signed off work with anxiety and stress. Had Holly’s deep sadness influenced me to choose this song to sing on this night? Or was it my sadness at my sense I was losing her love, and I could no more stop that than I could stop the river in front of me from flowing back to the sea?

    I left a voice message telling her I was about to set up for a gig and could talk to her afterwards if she wanted. She texted after midnight. A simple
    β€œLove you, Daddy.”

    She had already decided to end her life. Her husband had been making sure one of her friends was checking in on her every day, and she had invented an arrangement to meet someone for lunch the next day. She reminded him of this bogus meetup when he left for work and said she would have her phone off.

    Until you’ve loved a love you had to lose
    You don’t know what love is

    Song Lyrics

    As far as we know, she went to the pharmacy that morning to get what she needed along with a bag of chocolates to take away the taste. An image seared into my mind is how I walked into her flat the following day and dipped my hand into that bag of chocolates. Nothing tasted the same. The lips that taste of tears lose their taste for anything else.

    And how the lips that taste of tears
    Lose the taste for kissing

    Song Lyrics

    For the last 44 months, I have been learning the meaning of the blues. That yearning and despair will never go away. The pain that blues musicians have expressed for over 150 years. The pain of racial or personal oppression and hardship or losing your loved ones. It never goes away.

    You don’t know how hearts burn
    For love that cannot live, yet never dies

    Song Lyrics

    Holly could not live, but her love will never die. I sit here today on her birthday, unable to do anything other than think of her. Forget all notions of β€˜getting over it,’ β€˜moving on,’ β€˜having closure’. Blues music has been around for over 150 years, and if I could live that long, I would still carry those complicated feelings of love and loss with me.

    Looking at the history of Blues Music, I see a different perspective. It did not begin in slavery. The descendants of enslaved people created it. It expresses the continued oppression of African Americans but also celebrates their freedom. The Blues is a genre expressing sadness, but at the same time, it celebrates the joy of freedom.

    Now I know what love is. It is being able to experience joy and pain concurrently. Sometimes, I found it difficult to feel anything before Holly died. By losing her physically, I have gained the ability to feel love and sadness simultaneously and find I am feeling so much more.

    Find the lyrics of the song here

    Contribute to The Compassionate Friends here. Help support bereaved parents and their families.

    My instrumental piano version of the tune in my freeish modern jazz style.

  • I Was Haunted By The Grief Police

    Are they a myth, a legend or a fantasy?

    Image by the author and Pixabay.

    John Walter πŸ“£

    Aug 13 Β· 5 min read

    There is no right way to grieve. The grief police will not smash through your tightly sealed door and pluck you from the sanctuary of your bed for contravening the rules of mourning. Your pain at the loss of a loved one is yours alone.

    You are at liberty to share it, conceal it, wallow, sink or swim in it. There is no right way to grieve. There are no

    β€œcorrect steps to resolve grief and say goodbye to pain”

    as one provider of post bereavement services bizarrely states they can teach you.

    You may feel isolated and lonely, but you are not alone. Millions of others tread the weary path searching for answers, all the while looking over their shoulder for signs of the grief police. We clutch our memories in a black plastic bag and plod aimlessly forward. We have no idea of our destination, only the determination to flee something we cannot fully comprehend.

    Some Of The Signposts Along The Path

    My three-year journey since losing my daughter has been peppered with signposts and well-meaning passers-by giving direction. They wave their arms around and speak in a language I do not understand. Following their directions has led me up many dead ends and taken me on tortuous shortcuts, leaving my feet sore and my emotional clothing in tatters.

    A few days after her death, hardly able to string a sentence together, I asked my good friend and the funeral director.
    β€œHow long does this last?”
    Thankfully they did not fish up a platitude or chip in with a bag of shibboleths.
    β€œTwo years, six years, ten years, forever?” they offered.
    I am grateful for that honesty. It prepared me for the fact that grief is not a linear process. It was as if they had stood at the crossroads with me, looking at the multi-labelled signposts and said, β€œgo whichever way you want. It makes no difference.”

    Some Of The Myths

    The grief police is an invention, a fantasy you create for yourself by taking in the myths around grief.

    Myth 1: Grief and mourning are the same thing.

    Myth 2: Grief happens in orderly stages.

    Myth 3: Grief is the same, regardless of the loss you experience.

    Myth 4: It takes a year to get over your grief.

    Myth 5: When grief is resolved, it never comes up again.

    This then translates into self-judgement.
    β€œI should be over it by now β€” I need to move on β€” I am not doing it right β€” I am not coping as well as β€” β€” ”

    There is no right way to grieve. There is no time limit. You may be bumbling along several years later, and a seemingly innocuous remark may tip you into a black hole of despair. That is all part of the process that is unique to you and your situation.

    Why Do We Create The Grief Police?

    Are we drawn to the safety of structures? Do we seek solace in a shared experience? Are we putting the responsibility for our feelings out there so we don’t have to take responsibility for those feelings inside ourselves?

    Grief has triggered a long-repressed surge in my own self-awareness. It has helped me to identify many of the manifestations of my own inner critic. On day one after my daughter died, I enjoyed the sunshine, and my inner critic had a field day. Feelings of joy brought about by warm weather were deemed entirely inappropriate. Body, emotions and mind began battling it outβ€”what a terrible waste of energy.

    Three years later and I am much more conscious of the inner critic as it chips in. The surprising thing is that it is not always a mind-based reaction. Not necessarily a thought process.

    A week ago, I was on a roll. I was speaking my truth. It felt terrific to be sensing that I could be my true authentic self. Then I felt my body start to freeze. The physical body was taking on the role of the inner critic.

    This physical reaction to being my authentic self happened 3 times. It didn’t stop me from expressing myself, but it did make me feel bad afterwards. When the mind finally kicked in, it said something like:
    β€œI’ve overstepped the mark. I’m gonna regret being so open. I should have put a lid on it.”

    So that’s it there. Long-buried reactions to circumstances triggering the inner critic. The grief police step in.

    The Grief Police Don’t Exist. You Create Them In Your Head

    Ever caught yourself saying
    β€œSo and so thinks I should be over it by now!”
    So and so probably has no opinion on the matter. We have this wonderful facility to locate things outside of ourselves if they are too painful to bear.

    Brene Brown has a great little video on Blame. Rather than being responsible for our own thoughts and action, we pin them onto someone else. Like the childhood game β€œPin the tail on the donkey”, we randomly pin it anywhere, hoping it will fit.

    So we invent the grief police. We invent people who think we should be over it. We invent others who, we are convinced, have an opinion about how self-centred we are being.

    I caught myself last week creating a fantasy in my head that my counsellor clearly thought I had gone over the top in expressing my grief. On reflection, it is simply a ridiculous idea. As a trained counsellor myself, I know that they would be encouraging me to express everything to the full with no limits. But that feeling was genuine. It took the wind out of my sails as I left the therapy room. I even considered writing an email to apologise for dumping too much on them.

    I have been inventing the grief police all along, and I am still doing it now.

    The same thing happened with a supervisor.
    β€œOh no, I’ve shared too much about myself. They will think I am weak and not up to the job.”
    Discussing it with them later, my supervisor told me that the opposite was true. That they saw it as one of my strengths.

    How To React To the Grief Police

    There is no point arguing with them or resisting them. In fact, if you give them any attention at all, then the myth, the legend and the fantasy may appear more real.

    In fact, I cannot think of anything to do other than whispering to myself
    β€œThe grief police don’t exist.”
    Don’t blame the person in front of you for saying the hurtful words. The grief police have momentarily possessed them. Take a breath and tell them what you really feel. How broken you are in that moment. Then move on.

    Getting Support

    Grief can trigger mental health issues that have lain dormant for years. Counselling by a qualified practitioner can be beneficial. There are many charities offering support to those that grieve.

    There are also support groups you can join. The grief police particularly prey on those who are isolated and alone. Find support and keep them at bay.

  • Dissolving The Pain

    Acknowledging the dark to appreciate the light

    John Walter πŸ“£

    Jul 6 Β· 3 min read

    Image by TheOtherKev from Pixabay

    I was walking the cliffs near my home on a beautiful sun-baked afternoon. I noticed the skylarks were not singing. I chatted with my wife about the life cycle and habits of these melodious beauties. Had they fledged all their chicks and abandoned those nests in the long grass? As I searched the sky for any signs of them, I noticed two young women walking towards us.

    As I rested my eyes on one of them. A wave of sadness hit me in the chest. Tears sprung from my eyes, and my knees felt a little weak. As my body registered this emotional disruption, my mind began to catch up. I registered the face of a woman in her late twenties with blonde hair scraped up into a ponytail, talking animatedly to her friend.

    My body had registered some resemblance to my daughter Holly, who died three years ago. My emotions had been triggered, and a wave of grief had swept over me. My wife gave me a questioning look. We had been talking about skylarks, and then seemingly for no reason, I had burst into tears.

    It took me a moment. It was like a shockwave starting in my chest, spreading out through my body into my limbs. I shook my fingers and felt the energy dissolve.

    β€œI just had a wave of sadness seeing that woman. Her hair was a bit like Holly’s.”

    My wife nodded, understanding. Like me, her grief and tears can be triggered by a wide range of reminders of our beautiful daughter. A stranger’s laugh, a french plait, someone using their hands to punctuate their conversation in a certain way.

    At first, these experiences would shut me down. I would be unable to talk, and I would seek solitude, step away from people, retreat to the loo or the safety of my van.

    A year ago, it took me five minutes. Sat in my van, I watched transfixed as a woman chatted to her friend. My mind knew it could not be Holly, but other parts of me were not so sure. I felt immobilised, rooted to the spot. The woman entered the shop, and my mind won the argument. The grief flowed through my body and dissolved. I picked up my shopping bag and got on with my day.

    I recognise the sensation as a dissolving. The trauma of losing a child to suicide is imprinted in every cell of my body. I will never forget. I will not be moving on or getting over it, but I can live with the pain. I can even welcome it as a reminder of the joy and love that Holly brought into my life.

    I am not ignoring the emotion or reacting to it, and I am not just observing it or hiding it away or storing it somewhere for later. I am not controlling or managing my emotions. I am feeling the emotion, noticing the grief throughout my body. My mind recognises it. I allow myself to feel it. Once felt, I dissolve it.

    On that walk on the cliffs with my wife, I described the sensations, and as I did so, I felt the sunshine flooding back into my body. Here I was, a content old man able to walk the beautiful Cornish coastline whenever he wished. What began as a wave of pain transformed into a wave of love and gratitude. The pain was still there, not denied, but acknowledged as a reminder of 28 years of having the privilege to be the father of an extraordinary child/young woman.

    For this story, I would love to be able to report that as the emotions dissolved, a skylark began to sing high in the sky above me. That didn’t happen, but my senses did start picking up the sound of the waves on the shore. I noticed a lone surfer patiently waiting for a rideable wave to emerge from the calm ocean. I took my wife’s hand in mine, and we carried on with our glorious Sunday afternoon walk.

  • It Took Me 30 Months To Really Cry

    A skinny Black girl showed me the way.

    First published in Medium by Age of Empathy John Walter πŸ“£Feb 4 Β· 4 min read

    Image for post
    Image by joseph_Berardi from Pixabay

    Grief is a personal thing. Crying is part of it. I am saddled with sayings like β€œbig boys don’t cry” and so many limitations I place on myself, that it has taken 30 months to let the tears flow daily. It is such a relief and also painful beyond measure.

    On the day after Holly died, everyone around me was crying, and I had slipped into coping mode. Organising things. I screamed into the darkness once on the journey to London, but my heart wasn’t in it. I was numbβ€”a functioning zombie.

    I have sat in hours of therapy, support groups, and a Counselling training course. No tears. Plenty of emotion, plenty of reflective thought, and careful consideration of my feelings and those of others.

    When I start to feel the tears some automatic limiter switches on, I gently take a breath and withdraw myself. This is not a conscious act. I want nothing better than to really feel the feelings and express them.

    I have a home recording studio, and this provides me with the metaphor of a limiter. It is similar to a compressor. When you have recorded many instruments, you are left with audio which fluctuates in volume and dynamics, like a human being and their emotions.

    For your music to be accepted on streaming platforms or radio play, you have to level it out. The studio tools bring up the volume of quieter elements and limit the whole thing from going above a prescribed volume.

    I am applying these tools to how I am in life, and I have been unconsciously for 60 years. I limit myself. I flatten out the dynamics of my life in some misguided quest for a way of being that is acceptable to the world.

    When the Tears Finally Flowed

    I was pacing around my flat with the presidential inauguration rolling on the TV. Amanda Gorman took command of the microphone and began to unstitch the comforter I had woven around my heart.

    When day comes, we ask ourselves where can we find light in this never-ending shade?
    The loss we carry, a sea we must wade.
    We’ve braved the belly of the beast.
    We’ve learned that quiet isn’t always peace

    The tears began to flow, not solely for the USA or humanity but for myself. I have been living in a never-ending shade for 30 months. Carrying so much loss and wading through an ocean of grief. I truly believed my calm, gentle demeanour was peace.

    When I started to explore that never-ending shade, I realised it stretched back 46 years to that lonely young man in London who learnt how to smile broadly despite the huge well of sadness he was carrying around. The smile even fooled me.

    I sobbed and heaved at the words.

    That even as we grieved, we grew.
    That even as we hurt, we hoped.
    That even as we tired, we tried.

    I have been trying, hoping, and hurting for so long. I am so tired. With her beautiful colours, carefully articulated speech, and delicately choreographed movements, this young woman became for me the combined voice of my 20-year-old self and my daughter Holly.

    Holly was such a strong leader. I had imagined her as Prime Minister of our country. She had given me hope. I wish she had kept some for herself.

    I am watching Amanda’s performance every day now. The tears now flow with these words.

    We will rise from the golden hills of the west.
    We will rise from the wind-swept north-east where our forefathers first realized revolution.
    We will rise from the lake-rimmed cities of the midwestern states.
    We will rise from the sun-baked south.

    I am from none of the places she mentions, but it gets me every time. This call to action is not about geography or politics. It is about humanity rising from its slumber. It is about me stepping out of the shade of my own sadness. It is about speaking my truth in the face of intimidation and knowing that most of that intimidation is generated by voices inside my own head.

    The new dawn blooms as we free it.
    For there is always light,
    if only we’re brave enough to see it.
    If only we’re brave enough to be it.

    Only by allowing my tears to flow can I find the courage to free the new dawn. It is not an easy transition.

    Yesterday I sat listening to someone else’s grief and inertia, and the tears flowed again. I began to instigate my normal coping strategies honed to perfection over many years. I started to bottle up the emotion and store it on tidy shelves where it could safely sit for the rest of my life.

    That was what my friend was doing, and they did not need me doing the same. I noticed how I was holding back the tears, and I told my friend. They flowed again and with the sadness came those flashes of joy and light as the new dawn bloomed. With that moment of connection, we both felt a little more awake.

    For five minutes, a skinny Black girl with dreams of being President picked up those bottles from the dusty shelf and put labels on them for me. She removed some of the corks and invited me to do the same.

    This was a paradigm shift for American politics but also for me personally.

    I have no idea what you will take away from this story, but I would love to hear from you. Please respond and let me know. Writing is one of the ways I connect with the world. I like to write about my experiences, and I love to listen to yours.

  • Swimming Alongside Grief

    How I understood it was not a battle to be won.

    John Walter πŸ“£May 29 Β· 7 min read First published in Invisible Illness on Medium.

    Image by the author.

    The only footprints are mine, but grief is with me as I dive into the waves. Together we delight in the heat of the sunshine and the cool of the water. Grief is there not as an unwelcome visitor but as an invited companion. It has taken me two years and several weeks of forced isolation to reach out and hold her hand.

    In the last few days, I have involved myself in all sorts of creative endeavours that I have neglected for years. I have begun writing music just for the love of it. I remember the flow of that process from over 30 years ago. I have been making storytelling videos, harking back to a career as a performing storyteller last practised professionally 20 years ago.

    Now I must write. Not to achieve anything, just because I must write.

    Holly by a friend

    Holly took her own life almost two years ago. At 28 she had just completed a Masters Degree in Behavioural Psychology and was working in her dream job supervising the tutors of autistic children. She had married her childhood sweetheart, sang in a choir and had many friends she could call on.

    It was a complete shock.

    My grief process has mainly involved me pulling myself together and getting on with things. My first reaction was to find ways to be there for others. I assumed this was my duty as Holly’s father. We spent ten days in London walking down to the hospital where her body was held. In a park by the river, we met her friends, colleagues and family members. We exchanged hugs and ate food together and shook our heads in disbelief.

    Far from home, I could only think of one personal friend in London. I called him up, and he came to join us and took me to a Sushi bar. I treasure that as a moment where I was doing something for myself. He was the perfect friend to share grief with.

    That one meeting amongst so many serves to illustrate the imbalance of my grief process. At the funeral, I left my wife to bawl her eyes out by the graveside while I walked around the burial field, greeting each of the 300 or so family and friends.

    I am not judging myself here, just noticing that my process was focused on what I have felt to be the needs of others.

    Similarly, my first significant action within days of her death was to sign up for a Counselling Training course. The questions driving me were β€” How can I help others avoid having to live through such trauma? Or maybe β€” How can I help other young people going through similar mental distress?

    Now 23 months down the line I am beginning to notice how I am grieving for myself. The loss of Holly is such a massive trauma that my body, emotions and spirit have taken over the grieving process. I have given my mind space to step aside. I am feeling the grief in my body. I am allowing the emotions to bubble up and not trying to fix them.

    I have a clear sense of purpose and direction which is not driven by the needs of others. This is new to me. It is as if I had a concept in my mind that to create meaning and purpose in my life, I had to focus on the needs of others. Now I am finding purpose and meaning by focusing on my own needs, and this has allowed my creative processes to open up in new ways.

    The music of grief.

    Lockdown has enabled me to create a music studio for myself in the spare bedroom. Till now it has always been temporary. Dismantled for visitors or to pack up instruments for gigs. Now with none of that possible, it is stable.

    One morning last week, I moved from my second breakfast into the studio, and I started playing a melody on my little melodica. I became engrossed. The theme grew, an accompaniment flowered in the background. I made a rough recording layering up the parts as if I was writing music for a yet to be created film.

    There were several things unusual about this. For 30 years, I have only written music for a specific purpose. I worked as a Storyteller in schools and wrote music to accompany a particular story. Or I had a gig coming up that needed padding out. Always specific and with a clear brief and goal in mind.

    Today I wrote music for no reason just as I had in my youth.

    It flowed easily. There were times when I had tears in my eyes. There were times when I felt like I was observing myself composing music. As if the observer and the composer were two separate entities.

    Eventually, I pulled out of the process and left the music playing on a loop now on monitor speakers. I made coffee and sat with my wife.

    β€œThat sounds like your grief,” she said.

    I realised at that moment that at last, I was allowing my grief to flow. Not judging it or trying to turn it to some purpose or managing it.

    I could sense it in my body. As I lifted the coffee cup, there was sadness there. But it was not stopping me from drinking my coffee or being a creative person. It was is if it was driving my creative process, and I was allowing it to do that. I was no longer in a battle with or struggling with grief. I had achieved some sort of partnership with it.

    The story of grief.

    In the next few days, the song took hold.

    For my grandson and two nephews, I have been making youtube videos under my old performing name of Dragonfly Stories. I have not performed professionally as a storyteller for 20 years. I would however always be asked to resurrect a few for family birthdays and other occasions when we gathered together.

    The creating of the music now took on a new life in creating a story performance to go with it. I found myself researching myths, legends and folk tales related to grief.

    Many I could not relate to at all. Western culture and religions particularly seem to have a peculiar perception of the grief process. I found more resonance with Asian religions but finally managed to settle on using a common African folktale around which to hang my song and story.

    I have called it Aaliyah β€” The girl with the golden hair.

    A young woman suffering the grief of losing her entire extended family travels through a dark forest and finds a village of people very unlike her. She settles in and is accepted even though she is clearly different to them. Each morning she walks around the village singing a song to awaken everyone to enjoy the day.

    The villagers have never sung or even heard singing before. They are entranced and ask Aaliyah to teach them to sing. She brings much joy and happiness to the village.

    However, the medicine man is jealous and thinks she has enchanted them with magic that he does not possess. He begins to implant doubt and fearful thoughts into the mind of Aaliyah.

    β€œThey don’t really love you. They pretend they do because they are afraid.” β€œThey are plotting to kill you” β€œThey will cut off your golden hair in the night.”

    Finally, she is so afraid that she leaves the village never to return.

    Now the villagers express their grief in a song. Every evening they gather by the forest and sing to Aaliyah.

    Aaliyah, We miss you when the morning comes.

    Where are you, when will you return?

    We miss you when the evening comes.

    Will you return to us? Please return to us?

    Although she never returns. The gift of singing and the joy she brought to the village remains and has become part of their lives.

    The flow of grief.

    The most used metaphor for traumatic grief is that of a black hole. You never get rid of it, but you grow a new life around it. I have never related to this metaphor. It suggests the grief is a singular item with a permanent place in your life which will never change.

    The metaphor that I have with me now is that of a flowing stream. The grief is not one of the rocks or a deep pool which life flows around. The grief is part of the flow. The grief is there flowing in shallow waters over pebbly ground catching the sunlight. It is part of the flow through dark underground caves. It is part of the joyous splashing of a waterfall over rocks. It is part of the wide river on its determined journey to the ocean. It is part of the ocean.

    Grief will always be with me, but not as an obstacle or a distraction. Grief will now inspire me to write, compose or perform. This is quite different from using my creative skills as an outlet for my grief. I can now allow grief to be part of the driving force of my life. Not as an unwelcome visitor but as a companion.

  • Stop trying to get over it!

    What I’ve learnt about dealing with intense complicated grief.

    John Walter ⭐Dec 12, 2019 Β· 5 min read [First published in Daily and Positive on Medium]

    Pixabay

    Closure is not a possibility. I will move on in my life, but only if I find a way of carrying my grief with me. I need to integrate the deep sadness I feel into the whole fabric of my life.

    I can’t lock it away, ignore it, deny it, change it, cover it up or otherwise carry on as if nothing happened. Trying any of those strategies can be the path to despair or mental illness. I’ve met many people who have tried. It is not recommended.

    Living life to the full means just that. Embracing everything in your experience. Integrating feelings and emotions you have along the way, into your life. Not putting on a brave face or using your stiff upper lip. Not soldiering on or using mind over matter.

    Pixabay

    It is common to feel overwhelmed by your emotions. How do you react to this?

    Do you suck it up and weather the storm? Do you react, directing anger and blame outwards? Do you practice some breathing techniques, ride the wave and move on? Do you fall apart and then feel ashamed?

    When I was first bereaved, I did a combination of all these things. Anything to get me through the practical tasks of the day. Talking with friends and family, I could see that my coping strategies were working fine.

    Soon, though, I met people who had been coping well for many years and, in some cases, decades after bereavement. Then, some part of their lives had started to crumble. A job they had been doing for years suddenly became unmanageable. Their long-term relationship collapsed. Anxiety and depression started to creep into their lives.

    All traced it back to not fully expressing their grief. Now, here they were, many years later, paying for counselling or taking medication. They realised that they were now paying for all those years of keeping silent, bottling it up, and staying strong.

    Melancholy by Albert GyΓΆrgy

    I have noticed that when I am in a situation where some strong emotions are triggered I have some choices. All relate to owning the emotion rather than reacting to it.

    Reacting to Emotions

    When we react to an emotion we are often directing our energy outwards. Blaming or directing anger towards others or the circumstances. Sometimes we blame ourselves or some spiritual entity.

    Owning emotions

    When we own an emotion, we do not sit on it or deny it. We are not blaming or shaming ourselves.Β We are noticing how it is affecting our body.Β Then we have choices.

    • Filing it away to deal with later.
    • Leaving the situation, walking away.
    • Speaking our discomfort in a way that implies ownership.

    An example

    I was sitting in a group meeting when I became triggered by the subject matter.

    The effect on me was that my mind got into analysing the material. I was composing arguments for and against it. I was trying to plan what I would say. My body was tensing up and I felt anxious.

    My first response was to say nothing.

    I then considered leaving the room.

    Finally, I decided to speak about my discomfort.

    β€œI am aware I am finding this conversation difficult. I can no longer listen to what you are saying because of that discomfort.”

    Then I tried to find words to explain my discomfort which did not blame, criticise or judge the speaker. I focused on the material that was being disseminated and how that related to a traumatic experience in my life.

    I expressed the feelings of anxiety that were being triggered, and the effect it was having on my body. I told them I had considered leaving the room but decided to express my feelings and stay.

    Obviously I was able to do this because I felt safe with the group of people I was with.

    The effect was extraordinary. Nobody tried to argue with me or make it better. They acknowledged my feelings and we continued. I was able to listen to the rest of the presentation and join in with the discussion.

    Embracing emotions

    Emotions are signals. They feed us information.

    The process of counselling and self-awareness is all about getting in touch with your emotions. Learning to read the messages.

    You notice you have a physical reaction to something someone has said or done. You may use mindfulness practices to get in touch with the emotions and thoughts about those emotions.

    Then you can embrace those emotions. Next time you have the physical reaction you will be quicker to recognise the emotional root.

    In my case, I am having to embrace the sorrow of losing my daughter. When I was bottling up those emotions or trying to ignore them I was also unable to experience joy.

    Sorrow and joy are inextricably linked. By experiencing sorrow, I can now experience the joy and love that my daughter brought into my life. By denying or burying the sorrow I was also hiding away the joy.

    If it was possible for me to get over the sorrow of losing my daughter then I would also be losing touch with the joy and love she brought into my life. I want to feel those emotions. I want to be friends with them and integrate them into my life

    Holly

    I can see that the same applies to all emotions. They are not single entities. They are not something to get over. We cannot experience a sunrise without also experiencing a sunset. It is impossible to experience high points in our lives without also experiencing low points.

    So embrace all emotions. Own them as your own special treasure trove of lessons. Be ready for the roller coaster of life to take you over.